251
Centuries: 2nd century - 3rd century - 4th century
Decades: 200s 210s 220s 230s 240s - 250s - 260s 270s 280s 290s 300s
Years: 246 247 248 249 250 - 251 - 252 253 254 255 256
At the other
gentle
painter Reinike. We moved, naturally, towards the middle
ourselves. He poured out
melancholy complaints to me about
which Hiller had made about the success of his
work he did not
failure of the
opera. It was from another quarter that I learned
extraordinary way. Frau Hiller, who was of
Polish origin, had
Dresden to persuade a large contingent of her countrymen, who
first
night these
friends, with their usual enthusiasm, incited
pleasure in the
work that they had stayed away from the second
opera could only be considered a
failure. By commandeering all
applause,
every effort was made to secure a third
performance on
This
object was achieved, and the
Polish theatre
aristocracy,
towards the needy couple in whose drawing-room they had ofteneverything went off
well. Hillcr thereupon placed his confidence
opera was an undoubted success, just as had been the
case with my
exposed by this fourth
performance, at which I was present, and
to attend.
Even my niece was disgusted with it, and thought.
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