MI-LO-FWO -- MAITREYA BUDDHA | |||
MI-LO-FWO -- MAITREYA BUDDHA General y the Chinese worship him for wealth and happiness and there are those who even believed strongly that he is able to bequeath them with children as one of his most popular forms is that with five children surrounding him. However the images of him that are found in the temples normal y depict a fat genial laughing figure with a mountainous bel y, in a sit ing posture, and having a large bag beside him. Because of this appearance, many people choose to cal him `e Laughing Buddha'. Such a depiction by his Chinese devotee is a far cry from what other Buddhists of other lands imagined him to be, but this does not mean that the Chinese do not revere him as much as others do. is portraiture of him came about as a result of one of his memorable emanations in China during the end of the Tang period and the beginning of the Wu-Tai Dynasty (9071060). ere was a learned monk whom every- one addressed as Pu Tai, meaning `Cloth Bag', as he was always seen carrying a large hemp bag wherever he went. He was a na- tive of the Chekiang Province who went about propagating the Buddha-dharma. No one real y knew his true name although he had cal ed himself `Chi Tze', and because of his bag, the peo- ple preferred to refer to him as `the monk with the sack'. Here he appeared as one who is extremely kind, jovial and helpful and although he had no home or temple which he could cal his own, he is always in a cheerful mood. He wandered about here and there to beg for food, giving advice and teaching to those who care to hear him, or he could be seen col ecting al kinds of things which he would put into his bag. To the worldly ones this act may be reckoned as an act of greed but it real y meant ¡ûBACK¡û |INDEX| ¡úNEXT¡ú |